Jason McCool comes from a long line of people who have been asked, “is that your real last name?!”

Originally from Brockton, MA, Jason holds degrees from the Eastman School of Music (jazz trumpet performance) and the University of Maryland (historical musicology), and in April 2020, successfully defended his Ph.D. dissertation in historical musicology at Boston University, titled “Radical Reclamations and Musical Resonances in Hamilton: An American Musical.”

Dr. McCool has taught courses on popular and classical music topics at schools including Boston College, Boston University, Merrimack College, Montgomery College, and Dean College. In Sept 2013, he began a PhD in musicology (after receiving a full-tuition Dean's Fellowship) at Boston University, and upon completion of his doctoral work in 2020, was awarded the BU CFA Musicology & Ethnomusicology Departmental Award. He has presented conference papers at Boston University, UNH, UNC-Asheville, Maynooth University in Ireland, and Harvard University, and published a book review in Berklee College of Music’s Jazz Perspectives (Routledge).

In October 2018, Jason was invited to be a Fellow at the prestigious Rubin Institute for Music Criticism at the San Francisco Conservatory of Music, studying with eight of the top music critics in America. In January 2022 he began writing as a freelance correspondent for the Boston Globe. He has also contributed reviews for DC's Pink Line Project and the Boston Musical Intelligencer (see the writing tab below for more of his criticism).

In April 2016, Jason began working as the Arts & Culture Liaison for Aeronaut Brewery in Somerville, MA, and was promoted to Head of Arts & Culture in April 2018. He booked all live music and performance-based series including at the taproom and popular summer beer gardens in Allston and Arlington. In October 2017, he launched the pindrop sessions, a monthly “classical-ish” performance series sponsored by public radio broadcasters WGBH and WCRB – read a feature article here – for which he curated some of the area’s top performers in immersive, conceptual events. In 2018, under Jason’s guidance, the brewery received the BEST OF BOSTON: 2018 Best Taproom Programming award from the Improper Bostonian. Here is a Boston Globe feature on Jason’s musical programming at the summer musical beer garden in Allston, including his launching, curating, and hosting of LA Live, a monthly live variety show featuring some of the top emerging artists in New England, released as a podcast by the PRX Podcast Garage.

Featured in Opus Affair's "10 Questions" interview series with Boston-area artists, Jason is proud to have been one of 50 Arts Leaders in Massachusetts to be invited to sit on the Mass Creative Leadership Council, on which he has served since 2015. He served as pre-concert lecturer for the Baltimore Symphony for 2013-14 from after standing up to deliver an impromptu lecture on Mahler’s Symphony No. 2 when the original lecturer didn’t show up. Early in his career, he worked as a Marketing Assistant at the Chamber Music Society of Lincoln Center.

In June 2014, Jason founded Solas Nua in Boston, the first regional offshoot of Solas Nua, the only organization in the U.S. dedicated to contemporary Irish arts. SNIB was profiled in Dig Boston and on WGBH Radio, and was in residence at The Burren in Somerville, MA until November 2015.

Formerly a part of the vibrant artistic community of our nation's capitol, where he returns to throw themed parties, Jason’s theatre work includes: OMG, part of the 2010-11 Mead Theatre Lab Program, for which he received an individual artist grant from DC’s Cultural Development Corporation to co-write, produce, act in, and compose piano music; Solas Nua's SWAMPOODLE, a devised theatrical event which included development work in Ireland with Performance Corporation; and RIDING THE BULL, which he produced and acted in for the 2009 Capital Fringe Festival (Washington Post Editors' Pick; named "Best Male Actor" of Fringe, allarts4U).

Other favorite acting work includes the title role in Forum Theatre's THE LAST DAYS OF JUDAS ISCARIOT (DC Theatre Scene's 2008 “Audience Favorite Play”), Solas Nua's SCENES FROM THE BIG PICTURE (named by Peter Marks of the Washington Post as "One of the Top 10 Plays of the Decade"), THE RESISTABLE RISE OF ARTURO UI with Catalyst Theatre (winner, Helen Hayes Award, ensemble), and DANCING AT LUGHNASA at the T. Schreiber Studio in NYC. He has appeared with Studio, Folger, Everyman, and Rorschach Theatres, Theater J, Washington Shakespeare Co, and at the Kennedy Center. Jason studied acting with Mary Boyer at the T. Schreiber Studio in NYC and with Joy Zinoman, Denise Diggs (voice), the late John Emmert (acting), George Fulginiti-Shakar (musical theater), and Nancy Paris (comedy) at The Studio Theatre Acting Conservatory in DC, where he also took directing with Joy Zinoman, and has studied at Improv Boston. Jason is a proud member of Actors' Equity Association. He has served as the DC arts liaison for the Social Media Club of DC, and has consulted many arts organizations on social media. His travel blog is here.

His 18-year-old terrier Fenway, picked up from animal rescue on July 24, 2004, is a karmic champion. GO SOX.